Sometimes animals look at the camera, they look at me, I don’t know if with indifference, curiosity… disgust, I don’t know if they ask me what we are doing to them, to the planet. They ask you the same question too

La entrada 11 looks se publicó primero en pérez rayego.

La entrada 10 2024 II se publicó primero en pérez rayego.

without Bety, without the desire to write, without… only the photograph remains

La entrada 09 2024 se publicó primero en pérez rayego.

time, space, color … a path from the figurative to the foundations of reality: the abstract. A single 2-second exposure photograph, one to focus and one to paint.

La entrada 08 Comets se publicó primero en pérez rayego.

sunlight and…

see also

La entrada 07 color se publicó primero en pérez rayego.

photographs of nature with astronomical and atmospheric motifs

La entrada 05 earth and sky se publicó primero en pérez rayego.

obsession with symmetry

La entrada 04 vertical se publicó primero en pérez rayego.

El analogón de juan manuel pérez rayego

The image with its immediacy and its realism allows us to give real meaning to all the “things”. The only pre-existence of the reality gives to the artists the possibility to reproduce it as much as to transform it and, even, deform it. The spectator is placed before that baroque idea about the doubt that man has when it is about to confront with the represented objects, as in Etienne Pascal pointed in his essay pour Les Coniques, where the same reality can generate different perspectives according to the visual system used or, getting a bit further, where the images work, following the ANALOGON  of Sartre, over the environment that the image itself discovers and organizes in a sensitive way not being able to tell the difference between the material and the intentions. This argument, understood by Juan Manuel Perez Rayego makes his works to let us getting lost in that labyrithm of the eye-sight to unveil part of the features of a reality. And for that he masterfully modulates the dialectic of the Known and the unrecognizable or of the invisible and what can be seen ( visible). And even connect art and science, technology and humanism to save the barriers that could appear at the time of combining them and give light to the controversy that the contemporary world has created around these concepts.
Javier Cano Ramos, text for the exhibition of Natures in Casa de la Cultura, Don Benito, Badajoz. 2013

La entrada 01 naturalezas se publicó primero en pérez rayego.

Photographs taken on a motorized equatorial mount (speed 1x), this is apt to follow the celestial objects at the same time that the Earth rotates, and on another alzimutal (Ox). Time stands still on his brother’s back, the space

La entrada 02 ecuatorial se publicó primero en pérez rayego.

optical atmospheric effects captured for a month in the city of merida, spain.

10 videos with photographs of un mes de color and music by juan carlos rodríguez, and the eleventh recorded with videos full hd

La entrada 03 un mes de color se publicó primero en pérez rayego.